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	<title>C a r o l y n    D a u g h t e r s</title>
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	<link>http://www.carolyndaughters.com</link>
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		<title>Some Days</title>
		<link>http://www.carolyndaughters.com/some-days/</link>
		<comments>http://www.carolyndaughters.com/some-days/#comments</comments>
		<pubDate>Fri, 17 May 2013 12:00:47 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Billy Collins]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=8152</guid>
		<description><![CDATA[Some days I put the people in their places at the table, bend their legs at the knees, if they come with that feature, and fix them into the tiny wooden chairs. All afternoon they face one another, the man in the brown suit, the woman in the blue dress, perfectly motionless, perfectly behaved. But [...]]]></description>
				<content:encoded><![CDATA[<p>Some days I put the people in their places at the table,<br />
bend their legs at the knees,<br />
if they come with that feature,<br />
and fix them into the tiny wooden chairs.</p>
<p>All afternoon they face one another,<br />
the man in the brown suit,<br />
the woman in the blue dress,<br />
perfectly motionless, perfectly behaved.</p>
<p>But other days, I am the one<br />
who is lifted up by the ribs,<br />
then lowered into the dining room of a dollhouse<br />
to sit with the others at the long table.</p>
<p>Very funny,<br />
but how would you like it<br />
if you never knew from one day to the next<br />
if you were going to spend it</p>
<p>striding around like a vivid god,<br />
your shoulders in the clouds,<br />
or sitting down there amidst the wallpaper,<br />
staring straight ahead with your little plastic face?</p>
<p><strong>~ Billy Collins</strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Song of the Open Road</title>
		<link>http://www.carolyndaughters.com/song-of-the-open-road/</link>
		<comments>http://www.carolyndaughters.com/song-of-the-open-road/#comments</comments>
		<pubDate>Fri, 10 May 2013 12:00:43 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Walt Whitman]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=8034</guid>
		<description><![CDATA[You air that serves me breath to speak! You objects that call from diffusion my meanings and give them shape! You that wraps me and all things in delicate equible showers! You paths worn in irregular hollows by the roadsides! I believe you are latent with unseen existences, you are so dear to me. —WALT [...]]]></description>
				<content:encoded><![CDATA[<p>You air that serves me breath to<br />
speak!</p>
<p>You objects that call from<br />
diffusion my meanings and<br />
give them shape!</p>
<p>You that wraps me and all<br />
things in delicate equible<br />
showers!</p>
<p>You paths worn in irregular<br />
hollows by the roadsides!</p>
<p>I believe you are latent with<br />
unseen existences, you are<br />
so dear to me.</p>
<p>—WALT WHITMAN</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Where the Sidewalk Ends</title>
		<link>http://www.carolyndaughters.com/where-the-sidewalk-ends/</link>
		<comments>http://www.carolyndaughters.com/where-the-sidewalk-ends/#comments</comments>
		<pubDate>Fri, 03 May 2013 12:00:43 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[A day in the life of...]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Shel Silverstein]]></category>
		<category><![CDATA[Where the Sidewalk Ends]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6895</guid>
		<description><![CDATA[There is a place where the sidewalk ends And before the street begins, And there the grass grows soft and white, And there the sun burns crimson bright, And there the moon-bird rests from his flight To cool in the peppermint wind. Let us leave this place where the smoke blows black And the dark [...]]]></description>
				<content:encoded><![CDATA[<p>There is a place where the sidewalk ends<br />
And before the street begins,<br />
And there the grass grows soft and white,<br />
And there the sun burns crimson bright,<br />
And there the moon-bird rests from his flight<br />
To cool in the peppermint wind.</p>
<p>Let us leave this place where the smoke blows black<br />
And the dark street winds and bends.<br />
Past the pits where the asphalt flowers grow<br />
We shall walk with a walk that is measured and slow,<br />
And watch where the chalk-white arrows go<br />
To the place where the sidewalk ends.</p>
<p>Yes we&#8217;ll walk with a walk that is measured and slow,<br />
And we&#8217;ll go where the chalk-white arrows go,<br />
For the children, they mark, and the children, they know<br />
The place where the sidewalk ends.</p>
<p><strong>~ Shel Silverstein</strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>How the Past Comes Back</title>
		<link>http://www.carolyndaughters.com/how-the-past-comes-back/</link>
		<comments>http://www.carolyndaughters.com/how-the-past-comes-back/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 12:00:22 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Natasha Trethewey]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=7217</guid>
		<description><![CDATA[Like shadow across a stone, gradually&#8211; the name it darkens; as one enters the world through language&#8211; like a child learning to speak then naming everything; as flower, the neglected hydrangea endlessly blossoming&#8211; year after year each bloom a blue refrain; as the syllables of birdcall coalescing in the trees, repeating a single word: forgets; [...]]]></description>
				<content:encoded><![CDATA[<p>Like shadow across a stone,<br />
gradually&#8211;<br />
the name it darkens;</p>
<p>as one enters the world<br />
through language&#8211;<br />
like a child learning to speak<br />
then naming<br />
everything; as <em>flower</em>,</p>
<p>the neglected hydrangea<br />
endlessly blossoming&#8211;<br />
year after year<br />
each bloom a blue refrain; as</p>
<p>the syllables of birdcall<br />
coalescing in the trees,<br />
repeating<br />
a single word:<br />
<em>forgets;</em></p>
<p>as the dead bird&#8217;s bright signature&#8211;<br />
days after you buried it&#8211;<br />
a single red feather<br />
on the window glass</p>
<p>in the middle of your reflection.</p>
<p><strong>~ Natasha Trethewey </strong></p>
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		<item>
		<title>Borges at the Northside Rotary</title>
		<link>http://www.carolyndaughters.com/borges-at-the-northside-rotary/</link>
		<comments>http://www.carolyndaughters.com/borges-at-the-northside-rotary/#comments</comments>
		<pubDate>Fri, 19 Apr 2013 12:00:43 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[David Kirby]]></category>
		<category><![CDATA[Jorge Luis Borges]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6982</guid>
		<description><![CDATA[If in the following pages there is some successful verse or other, may the reader forgive me the audacity of having written it before him. &#8212; Jorge Luis Borges Foreword to his first book of poems After they go to the podium and turn in their Happy Bucks and recite the Pledge of Allegiance and [...]]]></description>
				<content:encoded><![CDATA[<div align="center">
<p align="center"><em>If in the following pages there is some successful verse or other, may the<br />
</em><em>reader forgive me the audacity of having written it before him.</em></p>
<p align="right">&#8212; Jorge Luis Borges<br />
<em>Foreword to his first book of poems</em></p>
</div>
<p><span style="color: #000000;"><span style="color: #000000;">After they go to the podium and turn in their Happy Bucks<br />
and recite the Pledge of Allegiance<br />
and the Four Truths (&#8220;Is it the Truth?<br />
Is it fair to all concerned? Will it build goodwill<br />
and better friendships? Will it be beneficial<br />
to all concerned?&#8221;), I get up to read my poetry,</span></span></p>
<p>and when I&#8217;m finished, one Rotarian expresses<br />
understandable confusion at exactly what it is<br />
I&#8217;m doing and wants to know what poetry is, exactly,<br />
so I tell him that when most non-poets think<br />
of the word &#8220;poetry,&#8221; they think of &#8220;lyric poetry,&#8221;<br />
not &#8220;narrative poetry,&#8221; whereas what I&#8217;m doing</p>
<p>is &#8220;narrative poetry&#8221; of the kind performed<br />
by, not that I am in any way comparing myself<br />
to them, Homer, Dante, and Milton,<br />
and he&#8217;s liking this, he&#8217;s smiling and nodding,<br />
and when I finish my little speech,<br />
he shouts, &#8220;Thank you, Doctor! Thank you</p>
<p>for educating us!&#8221; And for the purposes<br />
of this poem, he will be known hereafter<br />
as the Nice Rotarian. But now while I was reading,<br />
there was this other Rotarian who kept talking<br />
all the time, just jacked his jaw right through<br />
the poet&#8217;s presentations of some of the finest</p>
<p><em>vers libre</em> available to today&#8217;s listening audience,<br />
and he shall be known hereafter as the Loud Rotarian.<br />
Nice Rotarian, Loud Rotarian: it&#8217;s kind of like Good Cop,<br />
Bad Cop or Buy Low, Sell High. Win Some,<br />
Lose Some. Comme Ci, Comme Ça. Half Empty,<br />
Half Full. Merchant Copy, Customer Copy.</p>
<p>But in a sense the Loud Rotarian was the honest one;<br />
he didn&#8217;t like my poetry and said so &#8212; not in so many words,<br />
but in the words he used to his tablemates<br />
as he spoke of his golf game or theirs<br />
or the weather or the market or, most likely,<br />
some good deed that he was the spearchucker on,</p>
<p>the poobah, the mucky-muck, the head honcho,<br />
for one thing I learned very quickly<br />
was that Rotarians are absolutely nuts<br />
doctors to Africa<br />
and take handicapped kids on fishing trips<br />
and just generally either do all sorts of hands-on</p>
<p>projects themselves or else raise a ton of money<br />
so they can get somebody else to do it for them,<br />
whereas virtually every poet I know, myself included,<br />
spends his time either trying to get a line right<br />
or else feeling sorry for himself and maybe writing a check<br />
once a year to the United Way if the United Way&#8217;s lucky.</p>
<p>The Nice Rotarian was probably just agreeing with me,<br />
just swapping the geese and fish of his words<br />
with the bright mirrors and pretty beads of mine,<br />
for how queer it is to be understood by someone<br />
on the subject of anything, given that,<br />
as Norman 0. Brown says, the meaning of things</p>
<p>is not in the things themselves but between them,<br />
as it surely was that time those kids scared us so bad<br />
in Paris: Barbara and I had got on the wrong train, see,<br />
and when it stopped, it wasn&#8217;t at the station<br />
two blocks from our apartment but one<br />
that was twenty miles outside of the city,</p>
<p>and we looked for someone to tell us how<br />
to get back, but the trains had pretty much stopped<br />
for the evening, and then out of the dark<br />
swaggered four Tunisian teenagers,<br />
and as three of them circled us, the fourth<br />
stepped up and asked the universal ice-breaker,</p>
<p>i. e., Q.: Do you have a cigarette?<br />
A.: <em>Non, je ne fume pas.</em><br />
Q.: You&#8217;re not French, are you?<br />
A.: <em>Non, je suis americain.</em> Q.: From New York?<br />
A.: <em>Non, Florida.</em> Q: Miami?<br />
A.: <em>Non, une petite ville qui s&#8217;appelle Tallahassee</em></p>
<p><em>dans le nord de&#8230;.</em> And here the Tunisian kid<br />
mimes a quarterback passing and says. <em>Ah,<br />
l&#8217;université avec la bonne équipe de futbol!</em><br />
He was a fan of FSU sports, of all things<br />
so we talked football for a while, and then<br />
he told us where to go for the last train.</p>
<p>Change one little thing in my life or theirs<br />
and they or I could have been either the Loud Rotarian<br />
or the Nice one, and so I say to Rotarians everywhere,<br />
please forgive me,<br />
my brothers, for what I have done to you<br />
and to myself as well,</p>
<p><span style="color: #000000;">for circumstances so influence us<br />
that it is more an accident<br />
than anything else that you are listening to me<br />
and not the other way around,<br />
and therefore I beg your forgiveness my friends,<br />
if I wrote this poem before you did.</span></p>
<p><strong>~ David Kirby</strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>My Stepsister&#8217;s Music</title>
		<link>http://www.carolyndaughters.com/my-stepsisters-music/</link>
		<comments>http://www.carolyndaughters.com/my-stepsisters-music/#comments</comments>
		<pubDate>Fri, 12 Apr 2013 12:00:42 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Matthew Deshe Cashion]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6987</guid>
		<description><![CDATA[When my mother&#8217;s third husband took me thirty years ago to see his daughter from his first marriage smash the cymbals with the high-school marching band, he told me to be nice afterward because she was &#8220;slow,&#8221; which is not the same as retarded, he explained, though I doubted the difference as soon as the [...]]]></description>
				<content:encoded><![CDATA[<p>When my mother&#8217;s third husband took me<br />
thirty years ago to see his daughter<br />
from his first marriage<br />
smash the cymbals<br />
with the high-school marching band,<br />
he told me to be nice afterward because<br />
she was &#8220;slow,&#8221;<br />
which is not the same as retarded, he explained,<br />
though I doubted the difference<br />
as soon as the people in the bleachers<br />
all around us began to point and laugh at the obese girl<br />
who turned the wrong way and wandered<br />
toward the goal posts, banging the cymbals at her whim, then<br />
ran to rejoin the drum<br />
line, completing circles at right angles,<br />
forming figure eights at intersections,<br />
bumping oboe players; one time falling down.<br />
She twice tried suicide that year. She was smart enough<br />
to know she would never feel at home<br />
in a country overcrowded with parade critics.<br />
My stepfather told her in the car that night<br />
that all her miscues had been minor,<br />
barely noticeable, even,<br />
while I covered my mouth to keep from laughing.<br />
I haven&#8217;t seen either of them<br />
for twenty-five years. I made a shambles<br />
of my first marriage. I&#8217;ve stumbled, repeatedly,<br />
over the first twelve steps.<br />
I want to be a better person.<br />
Only now, from every side of me all at once,<br />
do I hear the music she was marching to.</p>
<p><strong>~  Matthew Deshe Cashion </strong></p>
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		<item>
		<title>I Go Back to May 1937</title>
		<link>http://www.carolyndaughters.com/i-go-back-to-may-1937/</link>
		<comments>http://www.carolyndaughters.com/i-go-back-to-may-1937/#comments</comments>
		<pubDate>Fri, 05 Apr 2013 12:00:47 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Sharon Olds]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6975</guid>
		<description><![CDATA[I see them standing at the formal gates of their colleges, I see my father strolling out under the ochre sandstone arch, the red tiles glinting like bent plates of blood behind his head, I see my mother with a few light books at her hip standing at the pillar made of tiny bricks with [...]]]></description>
				<content:encoded><![CDATA[<p>I see them standing at the formal gates of their colleges,<br />
I see my father strolling out<br />
under the ochre sandstone arch, the<br />
red tiles glinting like bent<br />
plates of blood behind his head, I<br />
see my mother with a few light books at her hip<br />
standing at the pillar made of tiny bricks with the<br />
wrought-iron gate still open behind her, its<br />
sword-tips black in the May air,<br />
they are about to graduate, they are about to get married,<br />
they are kids, they are dumb, all they know is they are<br />
innocent, they would never hurt anybody.<br />
I want to go up to them and say Stop,<br />
don&#8217;t do it&#8211;she&#8217;s the wrong woman,<br />
he&#8217;s the wrong man, you are going to do things<br />
you cannot imagine you would ever do,<br />
you are going to do bad things to children,<br />
you are going to suffer in ways you never heard of,<br />
you are going to want to die. I want to go<br />
up to them there in the late May sunlight and say it,<br />
her hungry pretty blank face turning to me,<br />
her pitiful beautiful untouched body,<br />
his arrogant handsome blind face turning to me,<br />
his pitiful beautiful untouched body,<br />
but I don&#8217;t do it. I want to live. I<br />
take them up like the male and female<br />
paper dolls and bang them together<br />
at the hips like chips of flint as if to<br />
strike sparks from them, I say<br />
Do what you are going to do, and I will tell about it.</p>
<p><strong>~ Sharon Olds</strong></p>
]]></content:encoded>
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		<item>
		<title>Blessing the Boats</title>
		<link>http://www.carolyndaughters.com/blessing-the-boats/</link>
		<comments>http://www.carolyndaughters.com/blessing-the-boats/#comments</comments>
		<pubDate>Fri, 29 Mar 2013 12:00:25 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Lucille Clifton]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6979</guid>
		<description><![CDATA[(at St. Mary&#8217;s) may the tide that is entering even now the lip of our understanding carry you out beyond the face of fear may you kiss the wind then turn from it certain that it will love your back    may you open your eyes to water water waving forever and may you in your [...]]]></description>
				<content:encoded><![CDATA[<p><em>(at St. Mary&#8217;s)</em></p>
<p>may the tide<br />
that is entering even now<br />
the lip of our understanding<br />
carry you out<br />
beyond the face of fear<br />
may you kiss<br />
the wind then turn from it<br />
certain that it will<br />
love your back    may you<br />
open your eyes to water<br />
water waving forever<br />
and may you in your innocence<br />
sail through this to that</p>
<p><strong>~ Lucille Clifton</strong></p>
]]></content:encoded>
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		<item>
		<title>Skills</title>
		<link>http://www.carolyndaughters.com/skills/</link>
		<comments>http://www.carolyndaughters.com/skills/#comments</comments>
		<pubDate>Fri, 22 Mar 2013 12:00:26 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Jonathan Aaron]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6972</guid>
		<description><![CDATA[Blondin made a fortune walking back and forth over Niagara Falls on a tightrope—blindfolded, or inside a sack, or pushing a wheelbarrow, or perched on stilts, or lugging a man on his back.  Once, halfway across, he sat down to cook and eat an omelette. Houdini, dumped into Lake Michigan chained and locked in a [...]]]></description>
				<content:encoded><![CDATA[<p>Blondin made a fortune walking back and forth<br />
over Niagara Falls on a tightrope—blindfolded,<br />
or inside a sack, or pushing a wheelbarrow, or perched on stilts,<br />
or lugging a man on his back.  Once, halfway across,<br />
he sat down to cook and eat an omelette.</p>
<p>Houdini, dumped into Lake Michigan chained<br />
and locked in a weighted trunk, swam back to the boat<br />
a few moments later.  He could swallow more than a hundred needles<br />
and some thread, then pull from between his lips<br />
the needles dangling at even intervals.</p>
<p>I can close my eyes and see your house<br />
explode in a brilliant flash, silently,<br />
with a complete absence of vibration. And when I open them again,<br />
my heart in my mouth, everything is standing<br />
just as before, but not as if nothing had happened.</p>
<p><strong>~ Jonathan Aaron</strong></p>
]]></content:encoded>
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		<item>
		<title>In a Country</title>
		<link>http://www.carolyndaughters.com/in-a-country/</link>
		<comments>http://www.carolyndaughters.com/in-a-country/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 12:00:33 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Larry Levis]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6969</guid>
		<description><![CDATA[My love and I are inventing a country, which we can already see taking shape, as if wheels were passing through yellow mud. But there is a prob- lem: if we put a river in the country, it will thaw and begin flooding. If we put the river on the bor- der, there will be [...]]]></description>
				<content:encoded><![CDATA[<p>My love and I are inventing a country, which we<br />
can already see taking shape, as if wheels were<br />
passing through yellow mud. But there is a prob-<br />
lem: if we put a river in the country, it will thaw<br />
and begin flooding. If we put the river on the bor-<br />
der, there will be trouble. If we forget about the<br />
river, there will be no way out. There is already a<br />
sky over that country, waiting for clouds or smoke.<br />
Birds have flown into it, too. Each evening more<br />
trees fill with their eyes, and what they see we can<br />
never erase.</p>
<p>One day it was snowing heavily, and again we were<br />
lying in bed, watching our country: we could<br />
make out the wide river for the first time, blue and<br />
moving. We seemed to be getting closer; we saw<br />
our wheel tracks leading into it and curving out<br />
of sight behind us. It looked like the land we had<br />
left, some smoke in the distance, but I wasn&#8217;t sure.<br />
There were birds calling. The creaking of our<br />
wheels. And as we entered that country, it felt as if<br />
someone was touching our bare shoulders, lightly,<br />
for the last time.</p>
<p><strong>~ Larry Levis</strong></p>
]]></content:encoded>
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		<title>After the Movie</title>
		<link>http://www.carolyndaughters.com/after-the-movie/</link>
		<comments>http://www.carolyndaughters.com/after-the-movie/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 12:00:02 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Marie Howe]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=6966</guid>
		<description><![CDATA[My friend Michael and I are walking home arguing about the movie. He says that he believes a person can love someone and still be able to murder that person. I say, No, that&#8217;s not love. That&#8217;s attachment. Michael says, No, that&#8217;s love. You can love someone, then come to a day when you&#8217;re forced [...]]]></description>
				<content:encoded><![CDATA[<p>My friend Michael and I are walking home arguing about the movie.<br />
He says that he believes a person can love someone<br />
and still be able to murder that person.</p>
<p>I say, No, that&#8217;s not love. That&#8217;s attachment.<br />
Michael says, No, that&#8217;s love. You can love someone, then come<br />
to a day</p>
<p>when you&#8217;re forced to think &#8220;it&#8217;s him or me&#8221;<br />
think &#8220;me&#8221; and kill him.</p>
<p>I say, Then it&#8217;s not love anymore.<br />
Michael says, It was love up to then though.</p>
<p>I say, Maybe we mean different things by the same word.<br />
Michael says, Humans are complicated: love can exist<br />
even in the murderous heart.</p>
<p>I say that what he might mean by love is desire.<br />
Love is not a feeling, I say. And Michael says, Then what<br />
is it?</p>
<p>We&#8217;re walking along West 16th Street—a clear unclouded<br />
night—and I hear my voice<br />
repeating what I used to say to my husband: Love is action,<br />
I used to say to him.</p>
<p>Simone Weil says that when you really love you are able to<br />
look at someone you want to eat and not eat them.</p>
<p>Janis Joplin says, take another little piece of my heart now baby.</p>
<p>Meister Eckhardt says that as long as we love images we are<br />
doomed to live in purgatory.</p>
<p>Michael and I stand on the corner of 6th Avenue saying goodnight.<br />
I can&#8217;t drink enough of the tangerine spritzer I&#8217;ve just<br />
bought—</p>
<p>again and again I bring the cold can to my mouth and suck<br />
the stuff from<br />
the hole the flip top made.</p>
<p>What are you doing tomorrow? Michael says.<br />
But what I think he&#8217;s saying is &#8220;You are too strict. You<br />
are a nun.&#8221;</p>
<p>Then I think, Do I love Michael enough to allow him to think<br />
these things of me even if he&#8217;s not thinking them?</p>
<p>Above Manhattan, the moon wanes, and the sky turns clearer<br />
and colder.<br />
Although the days, after the solstice, have started to lengthen,</p>
<p>we both know the winter has only begun.</p>
<p><strong>~ Marie Howe</strong></p>
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		<title>How to Take a Great Author Photo</title>
		<link>http://www.carolyndaughters.com/how-to-take-a-great-author-photo/</link>
		<comments>http://www.carolyndaughters.com/how-to-take-a-great-author-photo/#comments</comments>
		<pubDate>Tue, 05 Mar 2013 20:14:39 +0000</pubDate>
		<dc:creator>Carolyn</dc:creator>
				<category><![CDATA[Literature]]></category>

		<guid isPermaLink="false">http://www.carolyndaughters.com/?p=8877</guid>
		<description><![CDATA[]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.carolyndaughters.com/wp-content/uploads/2013/03/184332_542507652436799_487845283_n.jpg"><img class="aligncenter size-full wp-image-8879" alt="184332_542507652436799_487845283_n" src="http://www.carolyndaughters.com/wp-content/uploads/2013/03/184332_542507652436799_487845283_n.jpg" width="500" height="571" /></a></p>
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